Godox TT350 Flash Review
Godox – the strong Chinese brand that is clearing the lighting scene, bringing trepidation to since quite a while ago settled premium brands. Also, their quality has achieved the point where they would now be able to be trusted.
One thing they've done well to push the brand forward is their framework coordination. Any of their X-arrangement triggers will fire any light in the framework. Not just that, their TTL speedlights can likewise go about as bosses for different lights in the framework, from the powerful AD600Pro directly through to the humble TT350.
That is what we're taking a gander at today – the TT350.
This smaller and pocketable unit is the littlest blaze in the Godox go. It truly is little – requiring taking note of in excess of two AA batteries.
The Specs
A Guide Number of 36 (instead of the ordinary 52 of most bigger flashes).
Reuse time of 2.2 seconds at full power
210 full-control flashes accessible from two 2500maH AA batteries
TTL, Manual, Optical Slave, Optical Slave with Preflash, and Multiflash modes accessible
Inclusion from 24–105mm in full-outline 35mm terms
Rapid match up to 1/8000 sec
Worked in 2.4G radio transmitter and recipient to go about as either radio ace or slave
Wide-edge diffuser and bob card
On-Camera
The little size and weight of the TT350 make it the ideal on-camera streak for any camera framework, especially mirrorless frameworks. While I'm utilizing them with a Fuji, they're additionally accessible for Canon, Nikon, Sony, Olympus/Panasonic and even Pentax.
Similarly as with any on-camera streak pointed straightforwardly at the subject, the light is hard and not especially complimenting.
Godox tt350 direct blaze
While the glimmer has a ricochet card, I lean toward utilizing reverse bob for on-camera circumstances to make a bigger light source digging out from a deficit me.
Off-Camera
The advantages of utilizing a glimmer off-camera are many. You show signs of improvement position to control shadows, and by expansion the state of the highlights in the shot. You likewise can utilize a bigger scope of modifiers to mellow or shape the light itself. To go off-camera, you need a glimmer, a trigger and a remain (with a modifier being an extra choice). For this situation, our glimmer is the TT350.
Triggers
The TT350 can be fueled from:
the X-16 for manual power
the X1T or XPro trigger for TTL and Manual.
Stands
Any stand will do, even the shoddy Photo-R stands . I observe Neewer to be incredible incentive for cash, despite the fact that in the studio I incline toward utilizing C-Stands even with speedlights.
Ace and Slave
To utilize the radio highlights, hold down the Sync catch and after that turn the dial when the reception apparatuses symbol flashes.
The principal choice that shows up is M, making your blaze the Master.
Godox tt350 Master
A second contort conveys you to S, which empowers the Slave mode.
To change between TTL, Manual and Multi modes, press the Mode catch.
Godox tt350 slave
In Master mode, press the Slave catch to shift back and forth between the Master gathering (M) and the A, B or C gatherings.
In Slave mode, squeezing Slave picks the gathering the glimmer is on (A, B or C).
Godox tt350 slave bunch c
The M bunch in Master manages what the blaze does on-camera. Press Mode to turn between glimmer off, TTL and Manual.
Moving the blaze off-camera doesn't naturally make it look better. In any case, you do get the chance to position the shadows better, as should be obvious in my article on lighting. I additionally have a rundown of modest modifiers that won't use up every last cent. The 120cm Octa is a wise venture.
Godox tt350 120cm Octa setup
With the TT350 inside a 120cm Octa (with the diffuser on), you're prepared to get some enormous light from a little glimmer. With the Octa among you and the subject, you'll get complimenting light in the 'Butterfly' position.
Fast Sync
To get truly shallow profundity of field with blaze (particularly outside), you have to utilize High-Speed Sync to beat the impediment of the camera match up speed. To connect with it, tap the Sync catch once.
Here's a shot at 1/2000sec and f/1.4, ISO400 with HSS on. (You'll discover knocking the ISO helps spare battery life, which is for what reason I'm utilizing ISO400 here).
Plainly, a glimmer you have with you is superior to anything one you desert in light of the weight. So for general blaze applications the TT350 is extraordinary. Be that as it may, it's never going to overwhelm the sun, and its smaller size makes it the most reduced power streak in the range (barring their cell phone streak unit).
Notwithstanding, you can purchase two TT350s at the cost of a V860II. And keeping in mind that they don't have worked in batteries, joined they can give more capacity to less weight.
Me? I purchased two so I can utilize them in the arrangements I've appeared, and as an ace slave setup in the event that I have an issue with a trigger.
One thing they've done well to push the brand forward is their framework coordination. Any of their X-arrangement triggers will fire any light in the framework. Not just that, their TTL speedlights can likewise go about as bosses for different lights in the framework, from the powerful AD600Pro directly through to the humble TT350.
That is what we're taking a gander at today – the TT350.
This smaller and pocketable unit is the littlest blaze in the Godox go. It truly is little – requiring taking note of in excess of two AA batteries.
The Specs
A Guide Number of 36 (instead of the ordinary 52 of most bigger flashes).
Reuse time of 2.2 seconds at full power
210 full-control flashes accessible from two 2500maH AA batteries
TTL, Manual, Optical Slave, Optical Slave with Preflash, and Multiflash modes accessible
Inclusion from 24–105mm in full-outline 35mm terms
Rapid match up to 1/8000 sec
Worked in 2.4G radio transmitter and recipient to go about as either radio ace or slave
Wide-edge diffuser and bob card
On-Camera
The little size and weight of the TT350 make it the ideal on-camera streak for any camera framework, especially mirrorless frameworks. While I'm utilizing them with a Fuji, they're additionally accessible for Canon, Nikon, Sony, Olympus/Panasonic and even Pentax.
Similarly as with any on-camera streak pointed straightforwardly at the subject, the light is hard and not especially complimenting.
Godox tt350 direct blaze
While the glimmer has a ricochet card, I lean toward utilizing reverse bob for on-camera circumstances to make a bigger light source digging out from a deficit me.
Off-Camera
The advantages of utilizing a glimmer off-camera are many. You show signs of improvement position to control shadows, and by expansion the state of the highlights in the shot. You likewise can utilize a bigger scope of modifiers to mellow or shape the light itself. To go off-camera, you need a glimmer, a trigger and a remain (with a modifier being an extra choice). For this situation, our glimmer is the TT350.
Triggers
The TT350 can be fueled from:
the X-16 for manual power
the X1T or XPro trigger for TTL and Manual.
Stands
Any stand will do, even the shoddy Photo-R stands . I observe Neewer to be incredible incentive for cash, despite the fact that in the studio I incline toward utilizing C-Stands even with speedlights.
Ace and Slave
To utilize the radio highlights, hold down the Sync catch and after that turn the dial when the reception apparatuses symbol flashes.
The principal choice that shows up is M, making your blaze the Master.
Godox tt350 Master
A second contort conveys you to S, which empowers the Slave mode.
To change between TTL, Manual and Multi modes, press the Mode catch.
Godox tt350 slave
In Master mode, press the Slave catch to shift back and forth between the Master gathering (M) and the A, B or C gatherings.
In Slave mode, squeezing Slave picks the gathering the glimmer is on (A, B or C).
Godox tt350 slave bunch c
The M bunch in Master manages what the blaze does on-camera. Press Mode to turn between glimmer off, TTL and Manual.
Moving the blaze off-camera doesn't naturally make it look better. In any case, you do get the chance to position the shadows better, as should be obvious in my article on lighting. I additionally have a rundown of modest modifiers that won't use up every last cent. The 120cm Octa is a wise venture.
Godox tt350 120cm Octa setup
With the TT350 inside a 120cm Octa (with the diffuser on), you're prepared to get some enormous light from a little glimmer. With the Octa among you and the subject, you'll get complimenting light in the 'Butterfly' position.
Fast Sync
To get truly shallow profundity of field with blaze (particularly outside), you have to utilize High-Speed Sync to beat the impediment of the camera match up speed. To connect with it, tap the Sync catch once.
Here's a shot at 1/2000sec and f/1.4, ISO400 with HSS on. (You'll discover knocking the ISO helps spare battery life, which is for what reason I'm utilizing ISO400 here).
Plainly, a glimmer you have with you is superior to anything one you desert in light of the weight. So for general blaze applications the TT350 is extraordinary. Be that as it may, it's never going to overwhelm the sun, and its smaller size makes it the most reduced power streak in the range (barring their cell phone streak unit).
Notwithstanding, you can purchase two TT350s at the cost of a V860II. And keeping in mind that they don't have worked in batteries, joined they can give more capacity to less weight.
Me? I purchased two so I can utilize them in the arrangements I've appeared, and as an ace slave setup in the event that I have an issue with a trigger.
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